I’m about five or six books into Discworld as a series now, and so I’ve seen Death appear as a minor character a few times. But I was very intrigued to read Mort, which sees the whole story revolve around Death and the titular character, his new apprentice.
Death wants a holiday, wants to explore his other interests, find out what it means to be alive… and who better to take over his work than a gangly farm boy that no one else wanted as their apprentice?
Death and Mort act as counterpoints to each other. In his time away from his ‘work’, Death struggles with humanity (trying to get drunk, not really getting why people fear him—except cats, that is).
Mort, on the other hand, grapples with the weight of having to sever peoples’ souls from their earthly bodies, and the apparent lack of justice when they die (because, in the end, people go where they believe they’re going to go).
They both go through steady arcs, with Death finding peace as a chef, and Mort becoming less bumbling and more able to take on the powers of the job, even as he questions his duty.
One of the things I loved most was the conceptualisation of time. The instigating moment for the plot was Mort’s refusal to take Princess Keli’s soul, which created an inflection point in time. She should have died, and history carries on as if she did, and eventually it all tries to self-correct. It’s clever writing and creates a set-up where the reader isn’t sure how it’s going to be resolved.
I found the supporting cast to be hit or miss, though. I liked Ysabel and her relationship with Mort, and how it goes from antagonistic to friendship over time. Albert is an excellent character, especially when his mysterious past is unveiled. But I wasn’t so sure about Cutwell—I’m not sure if he was supposed to be annoying and off-putting, but I wasn’t really keen on him!
This is a really interesting and unusual fantasy book showing how Pratchett continued to have a unique take on the genre. Like I said, I’m five or six books in, and none of them have really felt the same.

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