Peter R. S. Thomas

Tag: seafaring adventures

  • Book Review: Impossible Creatures

    Book Review: Impossible Creatures

    Impossible Creatures is the latest fantasy novel by Katherine Rundell. It follows Christopher, a boy with a special connection to animals, and Mal, a girl with the unusual ability to fly using a special coat, as they try to stop the glimourie (magic) fading from the Archipelago. The Archipelago is, simply, a collection of islands hidden by magic in the Atlantic Ocean that is home to all sorts of mystical and magical creatures—creatures who had been saved there to prevent their extinction.

    But the islands are under threat, and the magic is fading, and so Christopher and Mal set off on a journey to save all the creatures who rely on this magic. They are joined by Nighthand, an alcoholic who was formerly a bodyguard to the Immortal, the protector of magic since lost for a hundred years, and Irian, a scientist who is similarly investigating the afflictions affecting the creatures.

    It is a wild seafaring adventure that takes the reader to far off places, and we meet, as the title promises, a whole host of mythical beasts. Each has their own personality, their own tendencies, and they are a real joy to behold. I love the creatures—they are the heart and soul of this book. They are present on the island because they were, at some point in history, saved from extinction at human hands. It is curious that other (non-mythical) creatures who became extinct in the years since did not make it on. It would have been nice to encounter a dodo or two. Oh well. Jacques the tiny dragon more than makes up for it.

    The story flows nicely, though there are a few convenient moments were information is handed to the characters just at the right time. We have, at one point, a wealthy women flying about the islands on a longma to places otherwise inaccessible to the protagonists and gathering information for them. At another point, a manticore begins, without being prompted, monologuing on a topic that the characters could conveniently do with some more information about. All this is to keep the story moving at a good, consistent pace, but it does pull the reader out a bit.

    But otherwise, it is a magical and enjoyable read. I liked the ending, which was heart-breaking and inspiring all at once. The antagonist, who we don’t meet until the end, is set well in the broader lore of the island, so it still feels like a good payoff when we meet. And, above all, the bond that forms between Christopher and Mal is a treasure.

  • Master & Commander (Aubrey-Maturin)

    Master & Commander (Aubrey-Maturin)

    One of my favourite sets of stories by far has to be Patrick O’Brian’s Master & Commander series. Set against the backdrop of the French Wars, these follow Captain Jack Aubrey and Doctor Stephen Maturin as they traverse the seas in pursuit of enemy vessels. Full of thrills and adventure, O’Brian takes us in the HMS Surprise across the world, from the Mediterranean to the Pacific. The action sequences are exquisite and rich with historical detail; life aboard the naval vessels is meticulously researched, even using terminology of the time. 

    At its heart, the series is about the relationship between Aubrey and Maturin. It explores their initial distaste for one another, and then follows as it transcends into a brotherly love. They are different, but their differences complement the other; one is physical, the other intellectual; one has grace at sea, the other deportment on land; one is traditional, the other experimental. Both are united by their loyalty to one another, their shared interests in music and wordplay, and their duty.

    Above all, the deep love O’Brian exhibits for the history is what makes the books so captivating. His attention to detail rivals any historian’s work, and this makes the stories rich and vivid. He is also not afraid of abandoning traditional story structures in favour of something that approaches the biographical. (This in comparison to the Sharpe series, which are more formulaic.) And the stories are so lovingly told, with such depth of setting and character, that you can’t help but be drawn in.

    The series has been criticised for its pacing and its correlation to historical timelines; the latter half of the books squeeze in many events over an impossibly short period. In this way the books were a victim of their own success, with O’Brian writing many more than originally conceived. But who can blame O’Brian for wanting to tell every possible story? I know I can’t.